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home·artworks·Abandoned House
Abandoned House by Alfred Sisley

plate no. 0820

Abandoned House

Alfred Sisley, 1886

oil, canvasImpressionismlandscapehouselandscapetreesskyfieldvegetation
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture light and atmosphere. It's a good exercise in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, hill, and horizon line with light pencil strokes.

  2. step 02

    Block in the sky with a thin wash of light blue and yellow, blending the colors.

  3. step 03

    Establish the main color masses for the house, roof, and surrounding vegetation using simplified color blocks.

  4. step 04

    Begin layering brushstrokes to define the textures of the foliage and the rough surface of the house.

  5. step 05

    Mix and apply colors for the hill, focusing on capturing the variations in light and shadow.

  6. step 06

    Add details to the house, such as windows and the suggestion of architectural elements.

  7. step 07

    Refine the foreground vegetation with short, broken brushstrokes to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall impression of light and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · viridian · cadmium red light · raw umber

Mix greens by blending blue and yellow ochre, and create variations by adding white or burnt sienna. Achieve the roof color by mixing red and burnt sienna, and adjust the tone with white or umber.

techniques

  • ·broken brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Creating muddy colors by over-blending.
  • →Ignoring the overall light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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