
plate no. 2897
George Stubbs, 1763
Recreating this painting will help students develop skills in rendering realistic animal anatomy and creating atmospheric perspective in a landscape. It also provides practice in subtle color mixing and blending to achieve a naturalistic effect.
technical profile
approach — 8 steps
Sketch the basic shapes of the zebra and the surrounding landscape, paying attention to proportions and composition.
Establish the background by blocking in the dark tones of the forest and the lighter areas of the sky and distant foliage.
Begin layering the colors of the trees and foliage, using a variety of greens, browns, and yellows to create depth and texture.
Start building up the form of the zebra, focusing on the underlying anatomy and the way the light falls across its body.
Carefully paint the stripes, paying attention to their curvature and how they wrap around the zebra's form.
Add details to the zebra's face, including the eyes, nose, and mouth.
Refine the details of the landscape, adding highlights and shadows to create a sense of depth and realism.
Add final touches and glazes to unify the painting and enhance the overall effect.
color palette
primary · ivory black · raw umber · yellow ochre · titanium white
secondary · sap green · burnt sienna
Achieve the greens by mixing yellow ochre and sap green, adjusting the ratio for different shades. Create the zebra's skin tone by mixing white, raw umber, and a touch of burnt sienna. Use glazes of raw umber to create depth in the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke