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home·artworks·A Zebra
A Zebra by George Stubbs

plate no. 2897

A Zebra

George Stubbs, 1763

oilRomanticismanimal paintingzebratreesforestanimalfoliagelandscape
some experience helpful

Recreating this painting will help students develop skills in rendering realistic animal anatomy and creating atmospheric perspective in a landscape. It also provides practice in subtle color mixing and blending to achieve a naturalistic effect.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the zebra and the surrounding landscape, paying attention to proportions and composition.

  2. step 02

    Establish the background by blocking in the dark tones of the forest and the lighter areas of the sky and distant foliage.

  3. step 03

    Begin layering the colors of the trees and foliage, using a variety of greens, browns, and yellows to create depth and texture.

  4. step 04

    Start building up the form of the zebra, focusing on the underlying anatomy and the way the light falls across its body.

  5. step 05

    Carefully paint the stripes, paying attention to their curvature and how they wrap around the zebra's form.

  6. step 06

    Add details to the zebra's face, including the eyes, nose, and mouth.

  7. step 07

    Refine the details of the landscape, adding highlights and shadows to create a sense of depth and realism.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall effect.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · sap green · burnt sienna

Achieve the greens by mixing yellow ochre and sap green, adjusting the ratio for different shades. Create the zebra's skin tone by mixing white, raw umber, and a touch of burnt sienna. Use glazes of raw umber to create depth in the shadows.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the zebra wrong.
  • →Making the stripes too uniform and flat.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a convincing sense of depth in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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