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home·artworks·A Young Man is Shouting at a Man Playing the Trombone
A Young Man is Shouting at a Man Playing the Trombone by Robert William Buss

plate no. 3553

A Young Man is Shouting at a Man Playing the Trombone

Robert William Buss

oilRomanticismgenre paintingfiguresinteriormusictrombonefamilycandlelight
experienced study

This painting is a great exercise in rendering complex scenes with limited values and textures. Students can learn to create depth and form using hatching and cross-hatching techniques.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and objects.

  2. step 02

    Establish the darkest areas of the composition, paying attention to the fall of light from the candle.

  3. step 03

    Develop the mid-tones using hatching, varying the density of lines to create different values.

  4. step 04

    Add finer details to the faces and clothing, using cross-hatching for darker shadows.

  5. step 05

    Render the textures of the walls, floor, and furniture with appropriate line work.

  6. step 06

    Pay close attention to the perspective of the room and the placement of objects in space.

  7. step 07

    Refine the highlights and details on the trombone and other metallic objects.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and dynamic composition.

color palette

primary · black · white

secondary · gray

Varying the ratio of black and white will produce a range of grays.

techniques

  • ·hatching
  • ·cross-hatching
  • ·value gradation
  • ·linear perspective
  • ·rendering textures

common pitfalls

  • →Failing to establish a clear value structure, resulting in a flat image.
  • →Overworking the details and losing the overall sense of light and shadow.
  • →Inaccurate proportions and perspective, leading to a distorted composition.
  • →Ignoring the textures of different surfaces, making the painting look uniform.

materials

surface · Smooth drawing paper

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Smooth drawing paper
  • ·Ruler
  • ·Blending stump
  • ·Reference image

optional

  • ·Kneaded eraser
  • ·Tortillon
  • ·Fixative spray

Use a variety of pencil grades to achieve a full range of values. Work in layers, gradually building up the tones and details.

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related guides

oil painting for beginners →how to learn by studying the masters →
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