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home·artworks·A Winter's Landscape
A Winter's Landscape by Giuseppe de Nittis

plate no. 2856

A Winter's Landscape

Giuseppe de Nittis, 1875

oil, canvasImpressionismlandscapetreessnowfigurebuildingsbirdsdog
some experience helpful

This painting provides an opportunity to practice rendering snow and atmospheric perspective using a limited palette. Students can also learn to create texture with visible brushstrokes and capture the essence of a winter scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the trees, buildings, and figure.

  2. step 02

    Establish the overall value structure with a thin wash of neutral tones.

  3. step 03

    Begin layering in the snow, using slightly different values to create depth and form.

  4. step 04

    Paint the trees, focusing on the delicate branches and the snow clinging to them.

  5. step 05

    Add the figure and animals, keeping them in proportion to the rest of the scene.

  6. step 06

    Refine the details, such as the texture of the snow and the architectural details of the buildings.

  7. step 07

    Add final highlights and shadows to create a sense of light and atmosphere.

  8. step 08

    Glaze with thin washes to unify the colors and create a harmonious effect.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · yellow ochre

Mix white with raw umber and burnt sienna to create various shades of gray and brown for the snow and trees. Add a touch of blue to create cooler tones for shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·layering

common pitfalls

  • →Overworking the snow and losing the sense of freshness.
  • →Making the trees too uniform and lacking in character.
  • →Ignoring the subtle color variations in the snow.
  • →Creating too much contrast and losing the overall harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the overall value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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