apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Well at Abbassieh, Near Cairo
A Well at Abbassieh, Near Cairo by John Varley II

plate no. 9088

A Well at Abbassieh, Near Cairo

John Varley II

oilImpressionismlandscapelandscapebuildingfiguresskycloudssunset
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and blending techniques to create a sense of depth and mood. It also provides practice in rendering form with loose brushstrokes and capturing subtle color variations in the sky and landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, figures, and horizon line.

  2. step 02

    Block in the sky with broad strokes, establishing the overall color and value range.

  3. step 03

    Establish the ground plane using a mix of browns and yellows, varying the tones to suggest texture.

  4. step 04

    Paint the building with dark browns and grays, paying attention to the light and shadow.

  5. step 05

    Add the figures, using simplified shapes and colors to suggest their forms.

  6. step 06

    Refine the sky and ground, adding details and blending colors to create a sense of atmosphere.

  7. step 07

    Add final details such as the birds and highlights on the building.

  8. step 08

    Glaze with thin washes to unify the colors and create depth.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · titanium white · raw sienna · cadmium yellow

Mix browns and grays by combining burnt umber, ultramarine blue, and white. Use yellow ochre and cadmium yellow to create warm highlights in the sky and landscape. Add white to lighten values and create atmospheric perspective.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·glazing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic style.
  • →Creating too much contrast and flattening the sense of depth.
  • →Using colors that are too saturated and unnatural.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette knife
  • ·linseed oil

optional

  • ·medium gloss
  • ·palette scraper
  • ·easel

Use a canvas with a medium texture to allow for expressive brushstrokes. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann