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home·artworks·A Watermill
A Watermill by James Campbell Noble

plate no. 0706

A Watermill

James Campbell Noble, 1891

oilImpressionismlandscapewatermillbuildinglandscapewheelskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures using broken color and visible brushstrokes. It will also teach how to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas.

  2. step 02

    Block in the large areas of color, starting with the sky and distant hills.

  3. step 03

    Establish the values of the buildings and watermill, focusing on the light and shadow patterns.

  4. step 04

    Add details to the watermill, such as the wheel and the surrounding structure.

  5. step 05

    Develop the foreground vegetation with broken color and varied brushstrokes.

  6. step 06

    Refine the details and adjust the values to create depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the form and texture.

  8. step 08

    Let it dry and add a varnish.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · sap green · ultramarine blue · yellow ochre

Mix raw umber and white for the stone structures. Use burnt sienna and yellow ochre for the roof. Create muted greens by mixing sap green with raw umber and a touch of blue.

techniques

  • ·broken color
  • ·dry brush
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Ignoring the atmospheric perspective
  • →Not varying brushstrokes
  • →Failing to establish a clear value structure

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: raw umber, titanium white, burnt sienna, sap green, ultramarine blue, yellow ochre
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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