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home·artworks·A Village Street in Winter
A Village Street in Winter by Alfred Sisley

plate no. 3477

A Village Street in Winter

Alfred Sisley, 1893

oil, canvasImpressionismcityscapesnowbuildingsstreettreesfiguresky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in snow and winter light. It's also a good exercise in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of the buildings.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, paying attention to the warm and cool tones.

  3. step 03

    Block in the larger shapes of the buildings and the snow-covered ground, using simplified forms.

  4. step 04

    Add details to the buildings, such as windows and rooflines, using small brushstrokes.

  5. step 05

    Develop the texture of the snow with varying brushstrokes and subtle color variations.

  6. step 06

    Paint the figure in the distance, paying attention to its proportion and placement.

  7. step 07

    Add the bare tree branches, using a fine brush and delicate strokes.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix white with small amounts of yellow ochre and blue to create the various shades of snow. Use burnt umber and yellow ochre for the buildings, and a touch of crimson for the sky.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much detail in the background, which will flatten the perspective.
  • →Making the snow too white and not capturing the subtle color variations.
  • →Not establishing a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-textured canvas to allow for better paint adhesion and brushwork.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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