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home·artworks·A Village Street in France
A Village Street in France by Frits Thaulow

plate no. 3303

A Village Street in France

Frits Thaulow

oil, canvasImpressionismgenre paintingbuildingsstreetfigurestreecartflag
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing light and shadow on architectural forms. It also provides practice in depicting figures and foliage with loose, impressionistic brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and tree.

  2. step 02

    Establish the main color blocks for the sky, buildings, and ground using thin washes.

  3. step 03

    Begin building up the details of the buildings, paying attention to the light and shadow.

  4. step 04

    Add the figures and the cart, simplifying their forms and focusing on their overall shape and value.

  5. step 05

    Paint the tree, using broken brushstrokes to suggest the leaves and branches.

  6. step 06

    Refine the details and add highlights to create depth and interest.

  7. step 07

    Add the flag and small details like windows and doors.

  8. step 08

    Adjust the overall color harmony and value contrast to create a cohesive and atmospheric effect.

color palette

primary · yellow ochre · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · cadmium red · ivory black

Mix various shades of ochre and umber with white to create the warm tones of the buildings and ground. Use ultramarine blue and burnt sienna to create grays for shadows and foliage. Add small amounts of cadmium red for the flag and accents.

techniques

  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast.
  • →Failing to capture the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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