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home·artworks·A Viking, Portrait of Harold Norbury
A Viking, Portrait of Harold Norbury by Edward Robert Hughes

plate no. 2077

A Viking, Portrait of Harold Norbury

Edward Robert Hughes

oilRomanticismportraitportraitchildgardenfoliagebowarrow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing layering and blending techniques to achieve soft, subtle transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color, starting with the background and then the figure's clothing.

  3. step 03

    Begin layering skin tones, paying attention to highlights and shadows to create form.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing and accessories, such as the bow, arrow, and horn.

  6. step 06

    Work on the background foliage, using small brushstrokes to create texture and depth.

  7. step 07

    Adjust the overall color balance and contrast to create a harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · cerulean blue · sap green

secondary · alizarin crimson · burnt sienna · raw umber

Mix skin tones using white, yellow ochre, and a touch of alizarin crimson. Achieve the greens by mixing blue and yellow, and adjust with brown for natural shades.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Neglecting the background, which can detract from the overall composition.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·varnish
  • ·retarder medium

Use high-quality paints for best results. A medium can help with blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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