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home·artworks·A View On The Stour Near Dedham
A View On The Stour Near Dedham by John Constable

plate no. 4916

A View On The Stour Near Dedham

John Constable, 1822

oil, canvasRomanticismlandscaperiverboatstreesskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex foliage and subtle tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, boats, and bridge.

  2. step 02

    Establish the sky with broad washes of color, blending the tones to create a soft, cloudy effect.

  3. step 03

    Block in the large shapes of the trees and foliage, paying attention to the overall structure.

  4. step 04

    Define the water with horizontal strokes, capturing the reflections of the sky and surrounding objects.

  5. step 05

    Add details to the boats and figures, using smaller brushes to create finer lines and textures.

  6. step 06

    Refine the foliage with layers of color and texture, creating depth and dimension.

  7. step 07

    Add highlights and shadows to enhance the form of the objects and create a sense of light.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · raw umber · titanium white · sap green · Prussian blue

secondary · yellow ochre · burnt sienna · cadmium yellow light · ivory black

Mix greens by blending sap green with yellow ochre or cadmium yellow light. Create muted tones by adding small amounts of burnt sienna or raw umber to the primary colors. Achieve the atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the colors too saturated and unnatural.
  • →Failing to capture the subtle tonal variations in the water and sky.
  • →Ignoring the importance of composition and creating a cluttered or unbalanced scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, titanium white, sap green, Prussian blue, yellow ochre, burnt sienna, ivory black)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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