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home·artworks·A View of the Thames Looking towards Battersea
A View of the Thames Looking towards Battersea by John Varley

plate no. 9016

A View of the Thames Looking towards Battersea

John Varley

oilRomanticismlandscaperivertreesboatsskybuildingslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also offers practice in creating depth through layering and tonal variation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, trees, and buildings.

  2. step 02

    Establish the sky with a light, warm tone, blending the clouds softly.

  3. step 03

    Block in the dark masses of the trees and buildings, paying attention to their shapes and relationships.

  4. step 04

    Begin layering in the mid-tones, adding detail to the trees and buildings.

  5. step 05

    Paint the river, capturing the reflections of the sky and surrounding landscape.

  6. step 06

    Add highlights to the water and foliage to create a sense of light and depth.

  7. step 07

    Refine the details of the boats and figures, paying attention to their scale and placement.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium yellow · raw sienna · ivory black

Achieve the muted greens by mixing yellow ochre and ultramarine blue. Use burnt umber and white for the earth tones and shadows. Add small amounts of cadmium yellow to brighten the greens and yellows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·wet-on-dry layering
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly saturated colors that detract from the muted atmosphere.
  • →Failing to establish a strong sense of depth and perspective.
  • →Ignoring the subtle variations in tone and color within the water.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x24 inches)
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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