apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A View of the Montelbaanstoren Amsterdam
A View of the Montelbaanstoren Amsterdam by Cornelis Vreedenburgh

plate no. 8737

A View of the Montelbaanstoren Amsterdam

Cornelis Vreedenburgh, 1925

oil, canvasImpressionismcityscapetowerbuildingswaterboatsskycityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also offers practice in rendering architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the tower, buildings, and water line.

  2. step 02

    Establish the sky with a thin wash of blues and yellows, blending softly.

  3. step 03

    Block in the basic colors of the buildings and tower using a mid-tone brown as a base.

  4. step 04

    Add darker values to create shadows and define architectural details.

  5. step 05

    Paint the water with horizontal strokes, capturing the reflections of the buildings and boats.

  6. step 06

    Add highlights to the water and buildings to create a sense of light and atmosphere.

  7. step 07

    Refine the details of the tower and buildings, paying attention to perspective.

  8. step 08

    Add final touches, such as figures and small boats, to complete the scene.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · raw umber · cadmium red light · ivory black

Mix various shades of brown by combining burnt sienna, raw umber, and a touch of blue or black. Achieve the sky color by mixing ultramarine blue and yellow ochre, adding white for lighter tones. Use cadmium red light to add warmth to the buildings.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking details, losing the impressionistic feel.
  • →Creating too much contrast in the water, making it appear unnatural.
  • →Incorrect perspective, especially in the buildings and tower.
  • →Using colors that are too saturated, resulting in a harsh appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann