
plate no. 9238
Thomas Hill, 1884
Recreating this painting will help students understand atmospheric perspective and how to create depth in a landscape painting. It also provides practice in rendering different textures like foliage and rock.
technical profile
approach — 8 steps
Sketch the basic composition, dividing the canvas into foreground, midground, and background.
Establish the sky with a thin wash of light blue and white.
Block in the distant mountains with light, muted colors, focusing on value and atmospheric perspective.
Paint the valley area, blending greens and browns to create depth and shadow.
Begin adding the trees, starting with the darker areas and gradually adding highlights.
Paint the foreground, including the rocks and foliage, using thicker paint and more detail.
Add the deer figures, paying attention to their proportions and placement.
Refine details and adjust values as needed to create a cohesive and realistic landscape.
color palette
primary · ultramarine blue · burnt umber · yellow ochre · titanium white
secondary · sap green · cadmium yellow · alizarin crimson
Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to distant colors to lighten and desaturate them.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.
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