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home·artworks·A View of the Hetch Hetchy Valley with Deer in the Foreground and Mount Conness in the Distance
A View of the Hetch Hetchy Valley with Deer in the Foreground and Mount Conness in the Distance by Thomas Hill

plate no. 9238

A View of the Hetch Hetchy Valley with Deer in the Foreground and Mount Conness in the Distance

Thomas Hill, 1884

oilRomanticismlandscapemountainstreesvalleyskydeerlandscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth in a landscape painting. It also provides practice in rendering different textures like foliage and rock.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into foreground, midground, and background.

  2. step 02

    Establish the sky with a thin wash of light blue and white.

  3. step 03

    Block in the distant mountains with light, muted colors, focusing on value and atmospheric perspective.

  4. step 04

    Paint the valley area, blending greens and browns to create depth and shadow.

  5. step 05

    Begin adding the trees, starting with the darker areas and gradually adding highlights.

  6. step 06

    Paint the foreground, including the rocks and foliage, using thicker paint and more detail.

  7. step 07

    Add the deer figures, paying attention to their proportions and placement.

  8. step 08

    Refine details and adjust values as needed to create a cohesive and realistic landscape.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to distant colors to lighten and desaturate them.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Failing to establish a clear value structure.
  • →Overworking the details too early in the process.
  • →Making the distant mountains too saturated or dark.
  • →Ignoring the effects of atmospheric perspective on color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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