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home·artworks·A view of Santa Maura, Levkas, Ionian Islands
A view of Santa Maura, Levkas, Ionian Islands by Edward Lear

plate no. 7344

A view of Santa Maura, Levkas, Ionian Islands

Edward Lear

oilRomanticismlandscapelandscapetreesmountainsbuildingsskyfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering washes of color. It also provides practice in delicate line work for defining details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: trees, mountain, buildings, and horizon line.

  2. step 02

    Apply a light wash of diluted blue and grey to the sky and distant mountain.

  3. step 03

    Add a slightly darker wash of blue-green to the middle ground, representing the landscape and trees.

  4. step 04

    Paint the trees in the foreground with a mix of brown and grey, adding details with thin brushstrokes.

  5. step 05

    Define the buildings with light washes of ochre and grey, adding subtle shadows.

  6. step 06

    Use a fine brush or pen to add delicate linework to the trees, buildings, and foreground details.

  7. step 07

    Glaze over the painting with diluted washes to adjust the values and create atmospheric perspective.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · cerulean blue · raw umber · titanium white

secondary · yellow ochre · payne's grey

Mix cerulean blue with white for the sky and distant mountains. Use raw umber and white for the trees and foreground. Add a touch of yellow ochre to the raw umber for warmer tones.

techniques

  • ·atmospheric perspective
  • ·layering washes
  • ·dry brush
  • ·delicate linework
  • ·glazing

common pitfalls

  • →Overworking the details in the background, losing the atmospheric perspective.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Making the linework too heavy, overpowering the washes.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 4, 6)
  • ·fine liner brush
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure smooth washes. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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