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home·artworks·A View of Rome from the Tiber, with the Ponte Rotto and the Temple of Vesta
A View of Rome from the Tiber, with the Ponte Rotto and the Temple of Vesta by Penry Williams

plate no. 8556

A View of Rome from the Tiber, with the Ponte Rotto and the Temple of Vesta

Penry Williams, 1870

oil, canvasRomanticismcityscaperiverbridgearchitecturefiguretreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bridge, buildings, and river.

  2. step 02

    Establish the sky and water with broad, blended strokes, paying attention to the subtle color variations.

  3. step 03

    Block in the major shapes of the buildings and bridge, using a limited palette of earth tones.

  4. step 04

    Add details to the architecture, such as columns, arches, and windows, using smaller brushes.

  5. step 05

    Paint the reflections in the water, mirroring the colors and shapes of the buildings and sky.

  6. step 06

    Add the figure and foreground elements, paying attention to their placement and scale.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix raw umber and burnt sienna for the warm tones of the buildings and bridge. Add titanium white to lighten the colors and create highlights. Use ultramarine blue to create the sky and water, mixing it with white and yellow ochre for subtle variations.

techniques

  • ·atmospheric perspective
  • ·rendering reflections
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the reflections.
  • →Ignoring the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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