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home·artworks·A View of Posilippo, Naples
A View of Posilippo, Naples by Franz Richard Unterberger

plate no. 1840

A View of Posilippo, Naples

Franz Richard Unterberger

oil, canvasRomanticismcityscapecityscapebuildingsoceanskyfiguresstreet
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many details. It also provides practice in capturing the effects of light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective lines.

  2. step 02

    Block in the large shapes of the buildings, sea, and sky with thin washes of color.

  3. step 03

    Establish the horizon line and the distant mountain range.

  4. step 04

    Start adding details to the buildings, focusing on the play of light and shadow.

  5. step 05

    Paint the sky using soft, blended brushstrokes to create a sense of atmosphere.

  6. step 06

    Add the figures and carriages, simplifying their forms and focusing on their placement within the scene.

  7. step 07

    Develop the foreground details, such as the wall and the figures along it.

  8. step 08

    Refine the details and add highlights to create depth and dimension.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · burnt sienna · cadmium red light · ivory black

Achieve the atmospheric haze by mixing white with small amounts of blue, yellow ochre, and raw umber. Use burnt sienna and cadmium red for the warmer tones in the buildings and figures.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong sense of perspective.
  • →Overworking the colors and losing the freshness of the brushstrokes.
  • →Not creating enough atmospheric perspective, making the background appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to speed up the painting process.

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