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home·artworks·A view of oban with a traveller resting on a path
A view of oban with a traveller resting on a path by John Glover

plate no. 7854

A view of oban with a traveller resting on a path

John Glover

oil, canvasRomanticismlandscapelandscapetreesmountainswaterfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic foliage and figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the landscape.

  2. step 02

    Block in the sky with a gradient of warm yellows and blues, blending softly.

  3. step 03

    Establish the distant mountains with light blues and purples to create atmospheric perspective.

  4. step 04

    Layer in the mid-ground trees and foliage with varying shades of green, brown, and yellow.

  5. step 05

    Add the figures and animals in the foreground, paying attention to their proportions and placement.

  6. step 06

    Refine the details of the trees, foliage, and figures, adding highlights and shadows.

  7. step 07

    Paint the water, reflecting the sky and surrounding landscape.

  8. step 08

    Add final details and glazes to unify the painting and enhance the atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix greens by combining blues and yellows, and use burnt umber to darken and mute colors. Achieve atmospheric perspective by adding white and blue to distant colors.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, which can flatten the image.
  • →Neglecting the atmospheric perspective, making the distant elements appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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