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home·artworks·A View of Barnard Castle, Yorkshire, from the River
A View of Barnard Castle, Yorkshire, from the River by Philip Wilson Steer

plate no. 0283

A View of Barnard Castle, Yorkshire, from the River

Philip Wilson Steer

oilImpressionismlandscapelandscapebuildingsrivertreesskytown
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to capture the mood of a landscape. It also focuses on simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the landscape: the horizon line, the large masses of trees, the buildings, and the river.

  2. step 02

    Block in the sky with a thin wash of blue-gray, allowing some variation in tone.

  3. step 03

    Establish the dark masses of the trees and the hill in the background using a mix of browns and greens.

  4. step 04

    Paint the buildings with simplified shapes, focusing on the light and shadow patterns.

  5. step 05

    Add the river and foreground, using horizontal strokes to suggest the water's surface and the grassy area.

  6. step 06

    Refine the details of the buildings and trees, adding highlights and shadows to create depth.

  7. step 07

    Use broken brushstrokes to suggest texture in the foreground and background.

  8. step 08

    Add final touches, such as subtle variations in color and value, to enhance the atmospheric effect.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · sap green

Mix blues and browns with white to create the muted tones of the sky and distant hills. Use yellow ochre and burnt umber for the buildings, and mix greens with browns for the foliage.

techniques

  • ·atmospheric perspective
  • ·broken brushstrokes
  • ·scumbling
  • ·value blocking

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to establish a clear value structure, resulting in a muddy painting.
  • →Not simplifying the forms enough, leading to a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, sap green)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a limited palette to create a harmonious color scheme. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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