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home·artworks·A View in Cairo
A View in Cairo by David Roberts

plate no. 4865

A View in Cairo

David Roberts, 1840

oilRomanticismcityscapecityscapearchitecturefiguresstreetMiddle Eastminarets
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering architectural details with light and shadow. It also offers practice in painting figures in a complex urban environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the perspective lines of the buildings and the placement of the minarets.

  2. step 02

    Block in the main shapes of the buildings, using a thin wash of color to establish the overall value structure.

  3. step 03

    Establish the sky with a gradient of light blue, blending smoothly.

  4. step 04

    Begin adding details to the buildings, focusing on the architectural elements and the patterns of light and shadow.

  5. step 05

    Paint the figures in the foreground, using small brushstrokes to capture their forms and clothing.

  6. step 06

    Add details to the street scene, including the market stalls and other elements that create a sense of atmosphere.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the subtle variations in the stone and buildings by mixing raw umber and burnt sienna with varying amounts of white. Use ultramarine blue to create the atmospheric haze in the distance.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Neglecting the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas to ensure the longevity of your painting. Consider using a toned canvas to help establish the overall value structure.

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