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home·artworks·A Three-Masted Frigate off Capri
A Three-Masted Frigate off Capri by Carl Frederik Sorensen

plate no. 6782

A Three-Masted Frigate off Capri

Carl Frederik Sorensen, 1863

oil, canvasRomanticismmarinashipswaterskycloudsboatsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections on water. It also provides practice in painting complex shapes like ships and rigging.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ships and the horizon line.

  2. step 02

    Block in the sky with a gradient of light yellow, pink, and blue, blending smoothly.

  3. step 03

    Establish the base color of the water, a mix of blues and grays, and indicate the reflections.

  4. step 04

    Paint the distant landmass with muted browns and grays, paying attention to atmospheric perspective.

  5. step 05

    Begin detailing the larger ship, focusing on the hull and basic shapes of the sails and rigging.

  6. step 06

    Add details to the smaller boat, including the figures and sails.

  7. step 07

    Refine the reflections in the water, making sure they align with the objects above.

  8. step 08

    Add final highlights and details to the ships and sky to create depth and realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · ivory black

Achieve the sky colors by mixing white with small amounts of yellow ochre, alizarin crimson, and ultramarine blue. The water is primarily a mix of ultramarine blue, white, and burnt umber, with variations for reflections.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering reflections

common pitfalls

  • →Overly bright or saturated colors in the sky.
  • →Inaccurate proportions of the ships.
  • →Lack of variation in the water's surface.
  • →Ignoring atmospheric perspective, making distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-tinting the canvas with a thin wash of burnt umber can help establish a warm undertone.

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