apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Tale To Tell
A Tale To Tell by Pino Daeni

plate no. 9428

A Tale To Tell

Pino Daeni

oilImpressionismportraitportraitfiguremanchairpipeindoor
experienced study

Recreating this painting will help students develop skills in capturing light and shadow on a figure, as well as creating a sense of depth and atmosphere with loose brushwork. It's a great exercise in portraiture and understanding warm and cool tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Work on the clothing, using loose brushstrokes to suggest the folds and textures.

  5. step 05

    Develop the background, keeping it soft and out of focus.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, being careful not to overwork them.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · cadmium red · ultramarine blue · raw sienna

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Use ultramarine blue and burnt umber to create dark shadows. Add white to colors to create highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·chiaroscuro
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the details, especially in the face.
  • →Using too much paint and losing the loose, impressionistic feel.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann