apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Summer Stroll
A Summer Stroll by Albert Lynch

plate no. 2796

A Summer Stroll

Albert Lynch

oilArt Nouveau (Modern)genre paintingfigureumbrellatreesflowerslandscapedress
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practice rendering fabric and organic forms with loose brushstrokes. Students will also learn how to create a focal point using color and contrast.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, umbrella, and major landscape elements.

  2. step 02

    Establish the background colors with thin washes, working from light to dark.

  3. step 03

    Block in the main shapes of the figure and umbrella, paying attention to proportions and basic values.

  4. step 04

    Develop the details of the figure's clothing, using layering and scumbling techniques to create texture.

  5. step 05

    Add details to the umbrella, focusing on the radial pattern and color variations.

  6. step 06

    Paint the flowers in the foreground, using bold brushstrokes and vibrant colors.

  7. step 07

    Refine the background details, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · sap green · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or green. Use red and yellow for the umbrella and flowers, adjusting the intensity with white or umber.

techniques

  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.
  • →Ignoring the subtle value shifts that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for texture. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois