apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A summer house
A summer house by Thomas Pollock Anshutz

plate no. 7360

A summer house

Thomas Pollock Anshutz, 1900

oilImpressionismlandscapehousetreeslandscapefoliagebuildingsummer
some experience helpful

This painting will help students develop skills in loose watercolor washes and creating depth through layering. It's a good exercise in capturing light and shadow with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: house, shed, and tree masses.

  2. step 02

    Apply a light wash of diluted yellow ochre over the entire paper as a base tone.

  3. step 03

    Begin layering in the sky and background trees with diluted greens and blues, allowing colors to blend.

  4. step 04

    Paint the house and shed with light washes of browns and grays, defining the structure.

  5. step 05

    Add darker values to the trees and foliage to create depth and shadow.

  6. step 06

    Use dry brush techniques to add texture to the foliage and ground.

  7. step 07

    Define the details of the house and shed, such as the roof lines and posts.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · sap green · raw umber · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Create browns by mixing burnt sienna and ultramarine blue. Vary the intensity of colors by adjusting the water-to-pigment ratio.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·color mixing
  • ·value control

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much water and creating muddy colors.
  • →Failing to establish a strong value structure.
  • →Making the colors too saturated and unnatural.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints (yellow ochre, burnt sienna, ultramarine blue, sap green, raw umber, alizarin crimson)
  • ·Round watercolor brushes (sizes 4, 8, 12)
  • ·Water container
  • ·Palette
  • ·Masking tape
  • ·Pencil
  • ·Eraser

optional

  • ·palette knife
  • ·gouache (white)
  • ·spray bottle

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann