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home·artworks·A Summer Girl
A Summer Girl by Robert Lewis Reid

plate no. 7711

A Summer Girl

Robert Lewis Reid, 1896

oilImpressionismportraitfigureportraitdresshatskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in color mixing for skin tones and fabric, as well as understanding how to capture light and shadow using broken color techniques. It also provides practice in rendering a figure within an architectural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the architectural elements.

  2. step 02

    Establish the background sky with broad strokes of blue and white, creating a sense of atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and gesture.

  4. step 04

    Begin layering colors to define the skin tones, using a mix of warm and cool hues.

  5. step 05

    Develop the details of the dress and hat, focusing on the interplay of light and shadow.

  6. step 06

    Add texture to the architectural elements using broken color and visible brushstrokes.

  7. step 07

    Refine the details of the face and hands, capturing the expression and personality of the subject.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and dimension.

color palette

primary · titanium white · ultramarine blue · alizarin crimson · yellow ochre

secondary · viridian · burnt umber

Achieve skin tones by mixing white, yellow ochre, alizarin crimson, and a touch of blue. Create the dress color by blending alizarin crimson and ultramarine blue with white.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·color mixing for skin tones
  • ·rendering fabric

common pitfalls

  • →over-blending colors, resulting in a muddy effect
  • →getting the proportions of the figure wrong
  • →failing to capture the subtle variations in skin tone
  • →overworking the details and losing the freshness of the impressionistic style

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for the broken color technique.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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