
plate no. 7711
Robert Lewis Reid, 1896
Recreating this painting will help students develop skills in color mixing for skin tones and fabric, as well as understanding how to capture light and shadow using broken color techniques. It also provides practice in rendering a figure within an architectural setting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the figure's proportions and placement within the architectural elements.
Establish the background sky with broad strokes of blue and white, creating a sense of atmospheric perspective.
Block in the main shapes of the figure, paying attention to the overall form and gesture.
Begin layering colors to define the skin tones, using a mix of warm and cool hues.
Develop the details of the dress and hat, focusing on the interplay of light and shadow.
Add texture to the architectural elements using broken color and visible brushstrokes.
Refine the details of the face and hands, capturing the expression and personality of the subject.
Add final highlights and shadows to enhance the overall sense of depth and dimension.
color palette
primary · titanium white · ultramarine blue · alizarin crimson · yellow ochre
secondary · viridian · burnt umber
Achieve skin tones by mixing white, yellow ochre, alizarin crimson, and a touch of blue. Create the dress color by blending alizarin crimson and ultramarine blue with white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for the broken color technique.
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