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home·artworks·A Suffolk Harvest
A Suffolk Harvest by Algernon Talmage

plate no. 0838

A Suffolk Harvest

Algernon Talmage, 1929

oilImpressionismlandscapehaystacksfigureshorseskycloudslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and values. It also provides practice in depicting atmospheric perspective and rendering figures within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the haystacks, figures, and horizon line using light pencil strokes.

  2. step 02

    Block in the sky with a thin wash of blue, adding hints of gray and white for the clouds.

  3. step 03

    Establish the basic values of the haystacks using a mix of browns and ochres, paying attention to the light and shadow.

  4. step 04

    Add the distant trees and landscape elements with muted greens and blues, creating a sense of depth.

  5. step 05

    Paint the figures and horse, focusing on their simplified forms and placement within the scene.

  6. step 06

    Refine the details of the haystacks, adding texture and variations in color to suggest the hay.

  7. step 07

    Add highlights and shadows to the figures and horse to give them form and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of colors and values.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · raw umber · cadmium yellow light · alizarin crimson

Mix various shades of brown for the haystacks by combining burnt sienna, raw umber, and yellow ochre. Use white to lighten the blues and create the sky. Add a touch of alizarin crimson to the browns for warmth.

techniques

  • ·blocking in
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Ignoring atmospheric perspective and making distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt sienna before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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