apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A street in Cairo
A street in Cairo by Ivan Bilibin

plate no. 9159

A street in Cairo

Ivan Bilibin, 1921

oilArt Nouveau (Modern)cityscapecityscapebuildingsminaretstreetfiguressky
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for atmospheric effects, and rendering architectural details with simplified forms. It also provides practice in creating a sense of depth and light using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the minaret, paying attention to perspective.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Apply a light wash of diluted yellow ochre to the buildings as a base layer.

  4. step 04

    Mix a pale blue for the sky and apply a thin wash, allowing it to blend slightly with the buildings.

  5. step 05

    Add shadows to the buildings using a mix of burnt umber and ultramarine blue, varying the intensity to create depth.

  6. step 06

    Paint the details of the windows and doors with darker shades of the shadow color.

  7. step 07

    Add the figures in the street with simple shapes and minimal detail.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric effect.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · raw sienna

Mix yellow ochre with white for lighter building surfaces. Use ultramarine blue and burnt umber in varying ratios to create cool grays and shadows. Add a touch of raw sienna to warm up the yellow ochre.

techniques

  • ·layering washes
  • ·atmospheric perspective
  • ·simplified architectural rendering
  • ·color mixing for subtle variations

common pitfalls

  • →Overworking the details
  • →Incorrect perspective
  • →Using colors that are too saturated
  • →Ignoring the subtle value changes

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#6 round brush
  • ·#2 round brush
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·kneaded eraser
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Dilute the paints with plenty of water to achieve the desired transparency.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois