apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Stream, Bridge, Trees and Two Figures in a Landscape
A Stream, Bridge, Trees and Two Figures in a Landscape by John Crome

plate no. 0847

A Stream, Bridge, Trees and Two Figures in a Landscape

John Crome

oilRomanticismlandscapetreeswaterlandscapebridgefiguressky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding the effects of light on different surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, bridge, and figures.

  2. step 02

    Establish the sky with a thin wash of warm yellows and browns.

  3. step 03

    Block in the large shapes of the trees with dark greens and browns, paying attention to the overall form.

  4. step 04

    Add the water, using darker values to create depth and reflections.

  5. step 05

    Develop the foliage by layering different shades of green and brown, using small brushstrokes.

  6. step 06

    Paint the bridge and the small house, adding details to suggest texture and form.

  7. step 07

    Add the figures on the horse, using muted colors to blend them into the landscape.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · raw umber · sap green · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue. Use raw umber and white for the sky and distant landscape. Add burnt sienna to greens and browns for warmth.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much bright color, which can flatten the image.
  • →Ignoring the subtle value shifts that create depth.
  • →Failing to create a sense of atmosphere in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke