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home·artworks·a Soldier’s Thanksgiving, by J. C. Leyendecker. Saturday Evening Post Cover, December 8, 1917
a Soldier’s Thanksgiving, by J. C. Leyendecker. Saturday Evening Post Cover, December 8, 1917 by J. C. Leyendecker

plate no. 0740

a Soldier’s Thanksgiving, by J. C. Leyendecker. Saturday Evening Post Cover, December 8, 1917

J. C. Leyendecker, 1917

oilArt Nouveau (Modern)illustrationsoldierportraitfoodscarfhelmetrifle
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering metallic surfaces, and creating depth through value and color variations. It also provides practice in depicting complex textures like fabric and metal.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Block in the large areas of color, starting with the background and the figure's coat.

  3. step 03

    Establish the main light and shadow areas on the face, helmet, and scarf.

  4. step 04

    Begin refining the details of the face, paying attention to the subtle shifts in value and color.

  5. step 05

    Add details to the uniform, rifle, and food, focusing on the textures and highlights.

  6. step 06

    Refine the edges and add final details, such as the steam from the cup and the highlights on the metal.

  7. step 07

    Add the text and logo elements.

  8. step 08

    Review and adjust the values and colors to achieve a cohesive and balanced composition.

color palette

primary · gray · red-orange · black · white

secondary · brown · silver

Achieve the various shades of gray by mixing black and white, and use small amounts of brown or red to warm the grays. The red-orange background can be created by mixing red and orange with white to create a softer hue.

techniques

  • ·portrait painting
  • ·rendering metal
  • ·value studies
  • ·layering
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong
  • →Overworking the details
  • →Creating muddy colors
  • →Ignoring the value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·medium gloss
  • ·retarder medium

Use a smooth canvas for better blending. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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