apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Silent Stream of the North
A Silent Stream of the North by Clarence Gagnon

plate no. 8806

A Silent Stream of the North

Clarence Gagnon, 1921

oilImpressionismlandscaperivertreessnowmountainswintersky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in using visible brushstrokes to suggest texture and form. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, mountains, and trees.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint, focusing on the dark areas of the trees and the lighter areas of the mountains and snow.

  3. step 03

    Begin layering colors in the sky, using blues and whites to create a soft, atmospheric effect.

  4. step 04

    Develop the trees with dark blues and greens, using short, broken brushstrokes to suggest texture.

  5. step 05

    Paint the mountains with a mix of blues, whites, and grays, paying attention to the subtle variations in value and color.

  6. step 06

    Add the snow with thick, textured brushstrokes of white and light blues.

  7. step 07

    Paint the river with dark blues and greens, reflecting the colors of the surrounding landscape.

  8. step 08

    Add final details, such as the bare branches of the trees and the reflections in the water.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · sap green · yellow ochre

Mix blues and whites for the sky and snow. Use burnt umber and blue to create the dark tones of the trees and river. Add yellow ochre to the white for the snow highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Creating muddy colors by over-mixing
  • →Failing to establish a strong value structure
  • →Ignoring the subtle color variations in the snow and mountains

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann