apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Roman Aqueduct
A Roman Aqueduct by Giuseppe de Nittis

plate no. 4602

A Roman Aqueduct

Giuseppe de Nittis, 1875

oil, canvasImpressionismlandscapeaqueductlandscapemountainswatertreessky
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values. It also provides practice in capturing the essence of a landscape with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the aqueduct, mountains, and foreground elements.

  2. step 02

    Block in the sky with light blue and white, using horizontal brushstrokes to suggest clouds.

  3. step 03

    Establish the values of the mountains in the background with muted blues and grays.

  4. step 04

    Paint the aqueduct with a mix of burnt sienna and umber, varying the tones to create depth and shadow.

  5. step 05

    Add the foliage with greens and browns, using broken brushstrokes to create texture.

  6. step 06

    Paint the water with horizontal strokes, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Develop the foreground with darker tones and varied textures, adding details to suggest grass and earth.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric landscape.

color palette

primary · ultramarine blue · burnt sienna · raw umber · titanium white

secondary · yellow ochre · sap green

Mix blues and whites for the sky. Use burnt sienna and raw umber for the aqueduct and earth tones. Add yellow ochre to greens for highlights in the foliage.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors that are too saturated and not capturing the muted tones of the landscape.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Making the brushstrokes too uniform and not varying the texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann