apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A rich peasant
A rich peasant by Filipp Malyavin

plate no. 4155

A rich peasant

Filipp Malyavin

oilArt Nouveau (Modern)portraitportraitfigurewomanclothingjewelryface
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing for skin tones. Students will also practice capturing a likeness and conveying a sense of personality through paint.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure.

  2. step 02

    Block in the background with broad strokes of blue, red, and white.

  3. step 03

    Establish the main areas of light and shadow on the face and hands using a limited palette of skin tones.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to subtle variations.

  5. step 05

    Paint the red dress using bold, expressive brushstrokes, capturing the folds and shadows.

  6. step 06

    Add details such as the jewelry and facial features, using smaller brushes.

  7. step 07

    Refine the background, adding texture and depth.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · cadmium red · ultramarine blue · yellow ochre

secondary · viridian · burnt umber

Mix skin tones using white, yellow ochre, cadmium red, and a touch of blue. Achieve the red dress by mixing cadmium red with a touch of burnt umber for shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·expressive brushwork

common pitfalls

  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Getting the proportions of the face wrong.
  • →Using too much detail too early in the process.
  • →Not capturing the energy of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) to allow for expressive brushwork. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois