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home·artworks·A Refugee in a Church
A Refugee in a Church by Laslett John Pott

plate no. 2759

A Refugee in a Church

Laslett John Pott, 1894

oilRomanticismgenre paintingchurchrefugeesfiguresinteriorsoldiersaltar
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, as well as understanding light and shadow to create depth and drama. It also requires careful attention to detail in depicting textures and patterns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows.

  4. step 04

    Start defining the figures, paying attention to their anatomy and clothing.

  5. step 05

    Add details to the background, including the church interior and altar.

  6. step 06

    Refine the details of the figures, including their faces and expressions.

  7. step 07

    Add final highlights and shadows to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Use burnt umber and ivory black to create dark shadows. Mix raw sienna and titanium white for highlights. Add small amounts of cadmium red or yellow ochre to warm up the browns.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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