apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Portrait of Lev Lagorio
A Portrait of Lev Lagorio by Apollinary Goravsky

plate no. 5570

A Portrait of Lev Lagorio

Apollinary Goravsky, 1900

oilRomanticismportraitportraitfiguremanchairclothingfacial hair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating subtle gradations of value to model forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color: background, clothing, skin, and hair.

  3. step 03

    Begin refining the background, focusing on subtle value changes.

  4. step 04

    Develop the shadows and highlights on the face, paying attention to the bone structure.

  5. step 05

    Work on the details of the clothing, chair, and accessories.

  6. step 06

    Refine the hair and beard, using small brushstrokes to create texture.

  7. step 07

    Add final highlights and details to the face and hands.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix skin tones using white, sienna, and a touch of red. Use black and umber for darks, and white with a touch of yellow ochre for highlights. The background is primarily mixed from umber and sienna.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much contrast too early in the painting process.
  • →Ignoring the subtle value changes in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke