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home·artworks·A portrait of a young man in a pink dressing gown
A portrait of a young man in a pink dressing gown by Alexander Clarot

plate no. 6174

A portrait of a young man in a pink dressing gown

Alexander Clarot, 1835

watercolor, paperRomanticismportraitportraitmanclothinghairfacebeard
some experience helpful

Recreating this portrait will help students develop skills in layering watercolor washes to build form and capturing subtle skin tones. It also provides practice in rendering fine details like hair and clothing textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Apply a thin, diluted wash of a light skin tone color to the face, neck, and hands.

  3. step 03

    Build up the shadows on the face and neck with subsequent washes, using slightly darker and cooler tones.

  4. step 04

    Paint the hair using short, broken strokes to create texture and volume.

  5. step 05

    Apply light washes to the clothing, paying attention to the folds and highlights.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using fine brushes.

  7. step 07

    Refine the details of the clothing, including buttons, trim, and any decorative elements.

  8. step 08

    Add final touches and highlights to the entire painting to create depth and dimension.

color palette

primary · raw umber · cadmium red light · cerulean blue

secondary · ivory black · yellow ochre · alizarin crimson

Mix skin tones by blending raw umber, cadmium red light, and a touch of cerulean blue. Use alizarin crimson and ivory black to create the darker shadows in the hair and clothing.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Using too much water, causing the paint to bleed.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in skin tone.
  • →Not allowing each layer to dry completely before applying the next.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor paper (140lb or heavier)
  • ·Round watercolor brushes (sizes 0, 2, 4, 6)
  • ·Palette for mixing paints
  • ·Water container
  • ·Paper towels
  • ·Pencil (2H or HB)
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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