apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Pergola with grapes
A Pergola with grapes by Ernst Meyer

plate no. 8833

A Pergola with grapes

Ernst Meyer, 1832

oil, paperRomanticismlandscapecolumnstreesfoliagelandscapepergolapottery
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict a natural scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: columns, foliage, and ground.

  2. step 02

    Establish the basic color blocks for the sky, foliage, columns, and ground using thin washes.

  3. step 03

    Layer in darker values to define the shadows and forms of the columns and foliage.

  4. step 04

    Add details to the foliage, varying the greens and yellows to create a sense of depth and texture.

  5. step 05

    Introduce highlights to the columns and foliage to create a sense of light and atmosphere.

  6. step 06

    Paint the pottery and hanging fruit, paying attention to their form and color.

  7. step 07

    Refine the details in the foreground, adding small plants and grasses.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric scene.

color palette

primary · yellow ochre · sap green · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Achieve the column color by mixing titanium white, raw umber, and a touch of yellow ochre.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much pure color without mixing.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (yellow ochre, sap green, raw umber, titanium white, burnt sienna, ultramarine blue, cadmium yellow light)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Using a toned canvas can help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke