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home·artworks·A Northern Silver Mine
A Northern Silver Mine by Franklin Carmichael

plate no. 5474

A Northern Silver Mine

Franklin Carmichael, 1930

oilArt Nouveau (Modern)landscapemountainsbuildingsskywaterlandscapevillage
some experience helpful

Recreating this painting will help students develop skills in simplifying complex landscapes into geometric forms and understanding atmospheric perspective through color and value changes. It also provides practice in creating a sense of depth using overlapping shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, hills, buildings, and water, focusing on the overall composition.

  2. step 02

    Establish the horizon line and the general layout of the sky and land masses.

  3. step 03

    Block in the main color areas: the sky, hills, water, and the foreground buildings.

  4. step 04

    Develop the color variations within each area, paying attention to the subtle shifts in hue and value.

  5. step 05

    Add details to the buildings and the landscape, such as the windows, roofs, and the textures of the mountains.

  6. step 06

    Refine the edges of the shapes to create a sense of depth and dimension.

  7. step 07

    Add highlights and shadows to enhance the form of the mountains and buildings.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · green · blue · red-brown · white

secondary · yellow · grey · brown · light blue

Mix greens by blending blues and yellows, adjusting the ratio for warmer or cooler tones. Achieve the mountain colors by mixing white with small amounts of blue, grey, and purple. The red-brown of the buildings can be created by mixing burnt umber with a touch of red.

techniques

  • ·color blocking
  • ·atmospheric perspective
  • ·geometric simplification
  • ·layering
  • ·blending

common pitfalls

  • →Overcomplicating the shapes of the mountains.
  • →Not paying attention to the subtle color variations.
  • →Creating too much contrast, losing the atmospheric perspective.
  • →Ignoring the geometric forms of the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·rags
  • ·turpentine or paint thinner
  • ·varnish

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Acrylics are recommended for beginners due to their faster drying time.

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