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home·artworks·A Northern Frontier
A Northern Frontier by Sydney Laurence

plate no. 3642

A Northern Frontier

Sydney Laurence, 1914

oilRomanticismgenre paintingmountainstreeswaterboatfigurescabin
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle nuances of light and shadow in a landscape. Students will also learn how to create depth and dimension using color temperature and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and water line.

  2. step 02

    Establish the sky with a light blue wash, blending it smoothly.

  3. step 03

    Block in the distant mountains with muted purples and grays, paying attention to the light and shadow.

  4. step 04

    Paint the dark evergreens, using a mix of dark greens and browns, varying the brushstrokes to create texture.

  5. step 05

    Add the cabin and figures, focusing on their relative size and placement within the scene.

  6. step 06

    Paint the water, reflecting the colors of the sky and surrounding landscape, using horizontal brushstrokes.

  7. step 07

    Add details to the boat and foreground elements, such as the logs and reflections.

  8. step 08

    Refine the highlights and shadows throughout the painting, adding final details to create depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · alizarin crimson

Mix muted purples for the mountains by combining ultramarine blue and alizarin crimson with white. Achieve the dark greens for the trees by mixing burnt umber and ultramarine blue with a touch of yellow ochre.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details in the foreground before establishing the background.
  • →Using colors that are too saturated, which can flatten the image.
  • →Ignoring the subtle shifts in color temperature and value.
  • →Failing to create a sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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