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home·artworks·A North African Interior
A North African Interior by Robert Harris

plate no. 3735

A North African Interior

Robert Harris, 1877

oilImpressionismgenre paintingfigureinteriorinstrumentcushionscarpetteapot
experienced study

Recreating this painting will help students develop skills in rendering fabric textures, capturing subtle light variations, and creating a sense of depth through atmospheric perspective. It will also improve their understanding of color mixing and achieving realistic skin tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and major objects.

  2. step 02

    Establish the background color and general lighting.

  3. step 03

    Block in the main shapes of the figure, cushions, and other objects with broad strokes.

  4. step 04

    Begin refining the details of the figure, paying attention to the folds of the fabric and the features of the face.

  5. step 05

    Add details to the instrument and other objects, such as the teapot and carpet.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and volume.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · red · yellow ochre · burnt umber

secondary · ivory black · titanium white · gold

Achieve the various shades of red by mixing red with burnt umber for darker tones and titanium white for lighter tones. Use yellow ochre and burnt umber to create the warm background and the golden tones of the teapot.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to capture the subtle light and shadow variations.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, yellow ochre, burnt umber, ivory black, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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