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home·artworks·A Murky Day
A Murky Day by Joseph DeCamp

plate no. 7501

A Murky Day

Joseph DeCamp, 1886

oil, canvasImpressionismlandscapelandscaperocksskycloudsgrasshorizon
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and capturing textures with varied brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the large rocks.

  2. step 02

    Block in the sky with light blue and white, using horizontal brushstrokes to suggest clouds.

  3. step 03

    Establish the base color of the ground with a mix of browns, greens, and yellows.

  4. step 04

    Add darker values to the foreground to create depth and contrast.

  5. step 05

    Begin painting the rocks, using a variety of grays, greens, and browns to capture their texture and form.

  6. step 06

    Layer lighter colors on the rocks to suggest highlights and sunlight.

  7. step 07

    Refine the details of the grass and vegetation, using short, broken brushstrokes.

  8. step 08

    Add final touches to the sky and clouds, blending colors and adjusting values as needed.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · viridian green · raw sienna

Achieve the sky color by mixing ultramarine blue with titanium white, and vary the intensity with more or less white. Create the ground color by mixing burnt umber, yellow ochre, and viridian green. Use white to lighten these mixes.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in color and value.
  • →Failing to establish a strong sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (ultramarine blue, titanium white, burnt umber, yellow ochre, viridian green, raw sienna)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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