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home·artworks·A Mountain Muster
A Mountain Muster by Tom Roberts

plate no. 4453

A Mountain Muster

Tom Roberts, 1897

oilImpressionismanimal paintingtreescattlelandscapehillsanimalspath
some experience helpful

Recreating this painting will help students develop skills in rendering atmospheric perspective and depicting animal anatomy in a dynamic setting. It also provides practice in capturing the effects of light filtering through trees.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes and composition, focusing on the path and the placement of the trees and cattle.

  2. step 02

    Block in the background hills and sky with thin washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Establish the basic colors of the trees and foliage, using a variety of greens, yellows, and browns.

  4. step 04

    Start adding details to the foreground trees, using darker values to create depth and dimension.

  5. step 05

    Begin painting the cattle, starting with the larger, more prominent animals in the foreground.

  6. step 06

    Add details to the cattle, such as their eyes, noses, and horns, using small, precise brushstrokes.

  7. step 07

    Refine the details of the path, adding shadows and highlights to create a sense of depth.

  8. step 08

    Add final touches, such as small details in the foliage and subtle variations in color.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · sap green · cadmium yellow

Achieve the various greens by mixing yellow ochre, ultramarine blue, and a touch of cadmium yellow. Create the browns by mixing burnt umber with yellow ochre and titanium white.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·rendering form with light and shadow

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Making the cattle look stiff or unnatural.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, sap green, cadmium yellow)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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