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home·artworks·A Mother and Child beneath an Arbour at Evening
A Mother and Child beneath an Arbour at Evening by Penry Williams

plate no. 9146

A Mother and Child beneath an Arbour at Evening

Penry Williams, 1849

oil, canvasRomanticismlandscapelandscapefigurearchitecturetreesfoliagesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures, particularly in foliage and stonework. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architecture, figure, and landscape elements.

  2. step 02

    Establish the main light source and block in the large shapes with thin washes of color.

  3. step 03

    Develop the sky and distant landscape, paying attention to atmospheric perspective.

  4. step 04

    Work on the architecture, adding details and texture to the stonework.

  5. step 05

    Paint the foliage, using a variety of greens and browns to create depth and realism.

  6. step 06

    Add the figure and child, paying attention to proportions and details.

  7. step 07

    Refine the details and add highlights to create a sense of light and shadow.

  8. step 08

    Add final details like the baskets and vines.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to the blues and greens for distant elements.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Ignoring atmospheric perspective
  • →Using too much pure color without mixing
  • →Incorrect proportions of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·medium gloss
  • ·painting easel
  • ·odorless mineral spirits
  • ·rags

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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