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home·artworks·A monk meditating in a cloister / Monk in the cloister on the island of Capri
A monk meditating in a cloister / Monk in the cloister on the island of Capri by Franz Ludwig Catel

plate no. 1510

A monk meditating in a cloister / Monk in the cloister on the island of Capri

Franz Ludwig Catel, 1843

oil, canvasRomanticismlandscapemonkarchitecturelandscapeseaskyfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures of stone and foliage. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the architectural elements and the horizon line.

  2. step 02

    Block in the main color areas: sky, sea, land, and architecture.

  3. step 03

    Establish the light source and begin to build up the values, paying attention to the shadows on the architecture and the figure.

  4. step 04

    Develop the sky and sea, blending colors to create a sense of depth and atmosphere.

  5. step 05

    Add details to the landscape, including the foliage and distant islands.

  6. step 06

    Refine the figure's robe, paying attention to the folds and highlights.

  7. step 07

    Add the details of the foliage around the archway.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · sap green · raw sienna

Achieve the sky colors by mixing ultramarine blue with white and a touch of yellow ochre. Use burnt umber and white for the stone, adding touches of yellow ochre for warmth. Mix greens with yellow ochre, ultramarine blue, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Failing to establish a strong light source.
  • →Overworking the details too early in the process.
  • →Not blending the colors sufficiently in the sky and sea.
  • →Making the architectural elements too uniform in color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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