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home·artworks·A Mill at Gillingham in Dorset
A Mill at Gillingham in Dorset by John Constable

plate no. 5789

A Mill at Gillingham in Dorset

John Constable, 1826

oil, canvasRomanticismlandscapemillwatertreeslandscapebuildingsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the movement of water using varied brushstrokes. It also provides practice in depicting architectural details within a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mill, water, and trees.

  2. step 02

    Establish the sky and distant landscape with broad washes of color.

  3. step 03

    Block in the main shapes of the mill building with darker tones, paying attention to perspective.

  4. step 04

    Begin layering colors on the mill to create texture and detail, using dry brush techniques.

  5. step 05

    Develop the foliage and foreground elements, varying brushstrokes to suggest different textures.

  6. step 06

    Paint the water, capturing its movement with short, broken strokes and highlights.

  7. step 07

    Add details like the water wheel, windows, and figures.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a sense of atmosphere.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium yellow · raw sienna · alizarin crimson

Achieve the earthy tones by mixing burnt umber, yellow ochre, and small amounts of ultramarine blue. Use white to lighten values and create highlights. Mix greens by combining blue and yellow with touches of burnt umber to mute the colors.

techniques

  • ·dry brush
  • ·layering
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Creating mud by overmixing colors
  • →Ignoring the atmospheric perspective
  • →Failing to capture the movement of water

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a fast-drying medium to speed up the drying process.

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oil painting for beginners →how to learn by studying the masters →
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