apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Market in Naples
A Market in Naples by Franz Richard Unterberger

plate no. 1138

A Market in Naples

Franz Richard Unterberger

oil, canvasRomanticismcityscapecityscapemarketfountainbuildingsfiguressky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for realistic light and shadow, and depicting complex scenes with many figures. It also provides practice in rendering architectural details and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the main shapes and colors of the sky, buildings, and ground using thin washes.

  3. step 03

    Establish the dark values of the fountain and trees, gradually building up layers of color.

  4. step 04

    Add details to the buildings, paying attention to the light and shadow patterns.

  5. step 05

    Paint the figures in the market scene, simplifying their forms and focusing on their overall shapes.

  6. step 06

    Refine the details of the fountain and add the water effects.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · ivory black

Achieve the warm, muted tones by mixing burnt umber, yellow ochre, and white. Use ultramarine blue and white for the sky, adding touches of red and yellow for the sunset effect. Mix raw sienna and burnt umber for the earth tones.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not creating enough depth in the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, cadmium red, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke