apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Man in a Russian Old Style Costume
A Man in a Russian Old Style Costume by Mikhail Vrubel

plate no. 8478

A Man in a Russian Old Style Costume

Mikhail Vrubel, 1886

oil, canvasArt Nouveau (Modern)portraitportraitfigureclothingfloral patternmancostume
some experience helpful

This painting offers practice in capturing a likeness with loose brushstrokes and simplified forms, while also exploring decorative patterns and limited color palettes. Recreating this will help students understand how to suggest detail rather than rendering it precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the large areas of dark and light values using thinned paint.

  3. step 03

    Establish the main features of the face, focusing on shapes and values rather than details.

  4. step 04

    Begin adding the floral patterns on the clothing, simplifying the designs.

  5. step 05

    Refine the shapes and edges of the figure and clothing, using visible brushstrokes.

  6. step 06

    Add subtle color variations to the background and clothing to create depth.

  7. step 07

    Adjust the overall values and contrast to create a sense of drama.

  8. step 08

    Add final details to the face and floral patterns.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · yellow ochre

Mix blacks and umbers with white to create a range of grays and browns. Use small amounts of blue and yellow to create subtle color variations.

techniques

  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details
  • →Creating too much contrast too early
  • →Losing the overall sense of form
  • →Making the floral patterns too symmetrical

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Thin the paint with linseed oil to create a fluid consistency.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois