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home·artworks·A Little Canal in Venice
A Little Canal in Venice by Benjamin Brown

plate no. 9931

A Little Canal in Venice

Benjamin Brown

oilImpressionismcityscapecanalbuildingswaterboatskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in light and shadow on architectural forms. It also provides practice in depicting reflections in water with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the canal.

  2. step 02

    Block in the main shapes and colors of the buildings, sky, and water using thin washes.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Develop the details of the buildings, adding windows, architectural features, and shadows.

  5. step 05

    Paint the reflections in the water, using horizontal brushstrokes and broken color.

  6. step 06

    Add the boat and figures, paying attention to their placement and scale.

  7. step 07

    Refine the colors and values, adjusting the overall harmony of the painting.

  8. step 08

    Add final details and highlights to create a sense of realism and atmosphere.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt sienna · raw umber · cadmium yellow

Mix various shades of gray and off-white by combining white with small amounts of blue, yellow ochre, and burnt sienna. Use these to create the subtle color variations in the buildings. Mix greens for the water by combining blue and yellow, and add a touch of red to neutralize the color.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →overworking the details
  • →creating flat, lifeless colors
  • →ignoring the perspective of the buildings
  • →making the reflections too symmetrical
  • →not capturing the atmospheric haze

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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