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home·artworks·A Link of the Forth
A Link of the Forth by Thomas Stuart Smith

plate no. 5368

A Link of the Forth

Thomas Stuart Smith, 1860

oilRomanticismlandscaperiverboatskycloudslandscapetrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a landscape through color and brushwork. It also provides practice in rendering reflections in water and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, river flow, and placement of the boat.

  2. step 02

    Establish the sky with broad strokes, blending grays, blues, and yellows to create the cloudy atmosphere.

  3. step 03

    Block in the distant landscape, using muted colors to suggest atmospheric perspective.

  4. step 04

    Paint the river, capturing the reflections of the sky and surrounding landscape.

  5. step 05

    Add details to the boat, including the sail and figures.

  6. step 06

    Define the foreground vegetation with darker values and varied brushstrokes.

  7. step 07

    Refine the details and adjust values to create depth and atmosphere.

  8. step 08

    Add final highlights to the water and boat to enhance the sense of light.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · raw sienna · payne's gray

Mix various shades of gray by combining ultramarine blue, burnt umber, and white. Achieve the warm sunset glow by blending yellow ochre, cadmium red, and white. Mute the colors for the distant landscape by adding a touch of payne's gray.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·rendering reflections

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated for the atmospheric effect
  • →Ignoring the principles of perspective in the river and landscape

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·oil paints (see color palette)

optional

  • ·medium gloss
  • ·palette
  • ·easel

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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