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home·artworks·A Ligurian Flower Girl
A Ligurian Flower Girl by Henry Herbert La Thangue

plate no. 3636

A Ligurian Flower Girl

Henry Herbert La Thangue

oilImpressionismgenre paintingfigureflowersgardenarchitecturetreesbasket
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a natural setting and capturing the subtle effects of light and shadow on various surfaces. It also provides practice in depicting complex textures like foliage and stonework.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the columns, the flower pot, and the basket.

  2. step 02

    Establish the background with broad washes of color, focusing on the overall tones of the foliage and sky.

  3. step 03

    Block in the main colors of the figure, paying attention to the light and shadow on the clothing and skin.

  4. step 04

    Develop the details of the columns and stonework, using broken brushstrokes to create texture.

  5. step 05

    Add the flowers, focusing on capturing their shapes and colors accurately.

  6. step 06

    Refine the details of the figure, including the facial features and the folds of the clothing.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · sap green · alizarin crimson

Achieve the skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber for muted tones.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to establish a strong value structure early on.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·viewfinder

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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