apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Ligurian Bay
A Ligurian Bay by Henry Herbert La Thangue

plate no. 8210

A Ligurian Bay

Henry Herbert La Thangue

oilImpressionismlandscapetreeswaterlandscapebayfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the subtle variations of light within a landscape. It also provides practice in depicting foliage and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, shoreline, and main areas of foliage.

  2. step 02

    Establish the sky and water with thin washes of color, paying attention to the subtle gradations.

  3. step 03

    Block in the larger masses of foliage using a mix of greens, yellows, and browns.

  4. step 04

    Begin adding details to the trees, using darker colors for the branches and lighter colors for the leaves.

  5. step 05

    Develop the shoreline and distant landmass, focusing on creating a sense of depth through color and value.

  6. step 06

    Add highlights and shadows to the foliage to create a sense of form and texture.

  7. step 07

    Refine the details of the foreground, including the path and any small plants or rocks.

  8. step 08

    Add final touches and adjustments to balance the composition and create a cohesive whole.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · sap green · cadmium yellow · titanium white

Mix greens by combining ultramarine blue and cadmium yellow. Use white to lighten values and create atmospheric perspective. Browns can be achieved by mixing burnt umber with yellow ochre and a touch of blue.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating too much contrast and making the painting appear harsh.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors straight from the tube without mixing them to create subtle variations.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann