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home·artworks·A Lake in a Clearing
A Lake in a Clearing by Pierre Emmanuel Damoye

plate no. 0116

A Lake in a Clearing

Pierre Emmanuel Damoye, 1883

oilImpressionismlandscapelandscapetreesskycloudslakegrass
some experience helpful

This painting offers a good opportunity to practice atmospheric perspective and broken color techniques. Students can develop skills in creating depth and texture through layering and blending.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Block in the sky with broad strokes, establishing the light and dark areas of the clouds.

  3. step 03

    Lay in the distant trees and foliage with muted greens and browns, using a soft brush.

  4. step 04

    Develop the foreground with darker greens and browns, adding texture with broken color.

  5. step 05

    Paint the water, reflecting the colors of the sky and surrounding landscape.

  6. step 06

    Add details to the trees, such as branches and leaves, using a smaller brush.

  7. step 07

    Refine the highlights and shadows throughout the painting, paying attention to the light source.

  8. step 08

    Add final touches, such as small details in the grass and water.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create the cloud colors by blending titanium white with small amounts of ultramarine blue and yellow ochre.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much contrast in the foreground, flattening the sense of depth.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Neglecting the importance of atmospheric perspective in the distance.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, sap green)
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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